The history of design in Iceland is neither a lengthy nor substantial one when compared to those of its neighboring countries. From a Nordic standpoint, one could compare the Icelandic design scene to a teenager, and as we all know, those are rough years. Arnar Fells – Editor in chief Your self-image is still forming during those emotionally tumultuous years, no one takes you seriously, and you feel small and inexperienced. As a teenager you rely largely on the support of those close to you, all the while wanting nothing more than the freedom to stand by yourself, unaided and independent. The Icelandic design community is very much at defining crossroads, not dissimilar to those teen years. We are slowly discovering our own strengths and are determined to be taken seriously, and not just in Nordic or broader international terms, but also by our own professional sector. We belong to a social group that truly understands the benefits of making long-term investments in design and the creative sector. We want to be included in decisions both …